Other | 52 by 52 — Weekly photo challenges set by accomplished photographers

Beauty’s Nothing. Show me your take on this.
— Nadav Kander

Nadav Kander | Read more

Flip the script.
— Josh Cole

Josh Cole | Read more

Bend it, break it, bin it.
— Palmer + Pawel

Palmer + Pawel | Read more

Movement in still images is a paradox. Combine movement and stillness in a single photograph.
— Bertil Nilsson

Bertil Nilsson | Read more

Take a photograph of an event. Focus on putting it in the context of the landscape and those watching.
— Simon Roberts

Simon Roberts | Read more

The world is forever changing; a rock spinning through space. The land we think we own is only borrowed. What stands today will be taken back over time. Photograph impermanence.
— Mitch Dobrowner

Mitch Dobrowner | Read more

Shoot your subjects from behind.
— Irina Werning

Irina Werning | Read more

Try to see geometrically. Imagine that everything we see hides shapes, lines, circles, squares, triangles, spots…
— Gustavo Jononovich

Gustavo Jononovich | Read more

Make an image of unsustainability.
— Edward Burtynsky

Edward Burtynsky | Read more

A portrait is to be given never taken… Use this as your guide and give a street portrait of a complete stranger.
— Steve Pyke

Steve Pyke | Read more

Photograph something that can never happen again.
— Harry Benson

Harry Benson | Read more

Try to transform our world into an abstract image.
— Lucie & Simon

Lucie & Simon | Read more

Hope is the poor man’s bread. Photograph hope.
— Niall McDiarmid

Niall McDiarmid | Read more

Create a portrait that expresses isolation in circumstances that are not isolated.
— Terry O’Neill

Terry O’Neill | Read more

Close your eyes, turn your eyeballs around. Photograph what you see.
— Roger Ballen

Roger Ballen | Read more

Try and apply a technique or style that is widely associated with a specific photographic genre and use it in an unconventional way.
— Maja Daniels

Maja Daniels | Read more

Make a portrait where the primary goal is to engineer intimacy from a situation that is fundamentally artificial.
— Chris Floyd

Chris Floyd | Read more

Take two things that do not fit together, and put them together.
— Klaus Pichler

Klaus Pichler | Read more

Photograph something you’ve been looking at or walking past for a long time, but which you’ve never photographed before.
— Palani Mohan

Palani Mohan | Read more

Take a photograph that depicts the binding and bonding of people local to you.
— Jim Mortram

Jim Mortram | Read more

Don’t simply take a photograph of something that is in front of you, but instead focus on an idea that you find interesting.
— Marc Wilson

Marc Wilson | Read more

Take a photograph that reveals something about yourself that you’ve never shown before.
— Phillip Toledano

Phillip Toledano | Read more

Ask someone if you can spend half an hour in their company whilst you try and capture their true essence / personality.
— Jenny Wicks

Jenny Wicks | Read more

Use light to isolate a subject and draw the viewer to the picture.
— David Ellis

David Ellis | Read more

Take a natural scene and distill it down into its fundamental components to make the simplest and strongest statement.
— Fran Halsall

Fran Halsall | Read more

Recreate a famous photograph – one that you greatly admire.
— John MacLean

John MacLean | Read more