Beauty’s Nothing. Show me your take on this.
— Nadav Kander

Nadav Kander  |  Read more

Flip the script.
— Josh Cole

Josh Cole  |  Read more

Bend it, break it, bin it.
— Palmer + Pawel

Palmer + Pawel   |  Read more

Movement in still images is a paradox. Combine movement and stillness in a single photograph.
— Bertil Nilsson

Bertil Nilsson  |  Read more

Take a photograph of yourself, from behind the camera.
— Kate Peters

Kate Peters  |  Read more

A portrait is to be given never taken… Use this as your guide and give a street portrait of a complete stranger.
— Steve Pyke

Steve Pyke  |  Read more

Make a color photograph of a scene that has no (or very little) color. Think monochromatic.
— Christopher Anderson

Christopher Anderson  |  Read more

Photograph something that can never happen again.
— Harry Benson

Harry Benson  |  Read more

Hope is the poor man’s bread. Photograph hope.
— Niall McDiarmid

Niall McDiarmid  |  Read more

Create a portrait that expresses isolation in circumstances that are not isolated.
— Terry O’Neill

Terry O’Neill  |  Read more

Take a photograph that is strong and necessary of something which is not photogenic.
— Paolo Woods

Paolo Woods  |  Read more

Make a portrait where the primary goal is to engineer intimacy from a situation that is fundamentally artificial.
— Chris Floyd

Chris Floyd  |  Read more

Use light to isolate a subject and draw the viewer to the picture.
— David Ellis

David Ellis  |  Read more

Get wet. Take a photograph in the rain using the elements of the situation to your visual advantage.
— Peter Dench

Peter Dench  |  Read more

Photograph at least one person who lives on the same street as you (with their permission).
— James O Jenkins

James O Jenkins  |  Read more

The background is as important as the sitter (yourself).
— Sam Reynolds

Shoot The Living  |  Read more